By Erin Harrington

ISBN-10: 1472467299

ISBN-13: 9781472467294

ladies occupy a privileged position in horror movie. Horror is an area of leisure and pleasure, of terror and dread, and person who relishes the complexities that come up whilst barriers – of style, of our bodies, of cause – are blurred and dismantled. it's also a website of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to reveal the underpinnings of the social, political and philosophical othering of ladies.

This ebook bargains an in-depth research of girls in horror movies via an exploration of ‘gynaehorror’: movies fascinated about all elements of lady reproductive horror, from reproductive and sexual organs, to virginity, being pregnant, delivery, motherhood and eventually to menopause. many of the subject matters explored comprise: the intersection of horror, monstrosity and sexual distinction; the relationships among normative girl (hetero)sexuality and the dual figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror movies approximately being pregnant and abortion; reproductive applied sciences, monstrosity and ‘mad science’; the discursive building and interrogation of substantial motherhood; and the relationships among menopause, menstruation, hagsploitation and ‘abject barren’ our bodies in horror.



The booklet not just deals a feminist interrogation of gynaehorror, but additionally a counter-reading of the gynaehorrific, that either money owed for and opens up new areas of efficient, radical and subversive monstrosity inside of a method of illustration and expression that has frequently been accused of being misogynistic. It consequently makes a distinct contribution to the examine of ladies in horror movie in particular, whereas additionally offering new insights within the broader quarter of pop culture, gender and movie philosophy.

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Women, Monstrosity and Horror Film: Gynaehorror (Film Philosophy at the Margins) by Erin Harrington


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